As a small child in 1972, I was deeply impressed during a stay in London by two posters, one for the British Museum’s blockbuster Tutankhamen exhibition and the other for the film of The Concert for Bangladesh.

The film poster fascinated because the bestselling album of George Harrison’s famous concerts the year before at Madison Square Gardens was already ubiquitous enough for me to be familiar with its sleeves, if not its sounds. Yet.

Fast forward to November 2019. The only question I want to ask Pete Townshend at an unrelated book talk, is Do